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Not to flatter myself, but my similarity to that character has always been really surprising to me. When you were writing the song, was there a degree of thinking about what would fit the Frances character (played by Alison Oliver) at the end of the series? I think Sally’s writing is so beautiful and perfect, and “Normal People” affected me deeply, too, in totally different ways. I read it while I was making “Punisher,” so 2019. How long ago had you read the book “Conversations With Friends”? And I think a challenge to myself, now, is being articulate about things that are good.
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In the interest of not seeming trite, I lean toward darker subject matter, just out of comfort. I think it’s more challenging to sound smart and write well about happiness than it is about sadness. But how do you think the self-affirmative tone that you strike fits in with what you’ve done and what people expect? The tone of “Sidelines” feels optimistic - not always the first word people use when they’re discussing their favorite songs of yours.
I fall to pieces lyrics series#
Read on for our interview with Bridgers (which has been lightly edited for clarity and space purposes) and to see the two videos for the song, one with footage from the Hulu series and one with tour footage recently shot by her brother, Jackson Bridgers. But she wasn’t about to let Frances’ trajectory in “Conversations” go out on a downer, and as it turns out, the woman who wrote “I Know the End” is into writing about new beginnings, too. The new song fits in perfectly, except to the extent it doesn’t - she concedes that it’s a bit of an outlier in her catalog, in its uplift. In 2004, "I Fall to Pieces" was placed at #238 on Rolling Stone's 500 Greatest Songs of All Time, listed at #107 on RIAA's list of Songs of the Century, and ranked at #7 on CMT's television special 100 Greatest Songs in Country Music.As the first original piece of music she’s come up with since breaking through to the wider pop culture with her two-year-old “Punisher” album, “Sidelines” has joined Bridgers’ set list for the shows and festivals she’s doing in the U.S. Cline's invitation to join the Grand Ole Opry as a regular cast member can be partially attributed to this single's remarkable success.
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The hit had the slowest chart ascension and one of the slowest chart descensions ever. We knew we had magic in the can when, on the fourth take, every grown man in that studio was bawling like a baby and Bradley said `That's the one.'"Ĭline personally requested this song from Howard and Cochran, and the tune helped in her pop-country crossover.
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But the amazing thing was, once Patsy got into the groove, she just caressed those lyrics and that melody so tenderly that it was just like satin. So, it had to be the shuffle then, like it or not. We were trying all kinds of other (basic rhythm) combinations, but they all just laid there and bled all over the floor. "On the night of the session, we absolutely did NOT want to do the standard 4:4 shuffle that had by then been done to death. Howard assisted the recording process, quoted saying, Howard came over the next day to write it with Cochran, and the song became one of Cline's most recognizable singles. When Howard was in California, another writer, Hank Cochran, thought of the song title one night. Few can say they wrote for Patsy Cline, and even fewer can say they penned a country standard.